Paul Thomas Anderson endured one snub after another. Now the Oscars have finally seen sense | Xan Brooks

In honouring One Battle After Another, Academy voters finally welcomed Hollywood’s prodigal son into the fold

Oscar night climaxed with a metaphorical whiff of gunpowder and a defiant rebel yell as One Battle After Another broke late to claim the crowning best picture and director awards at the Dolby theatre in downtown Los Angeles. If it is true that Americans get the presidents they deserve, it follows that they should get the appropriate Academy Award winner as well.

Paul Thomas Anderson’s rambunctious counter-culture thriller is the perfect film for an imperfect USA, brilliantly reading the tea-leaves of Donald Trump’s second term with its tale of leftist activists in a proto-fascist California. One Battle After Another was the most overtly political of this year’s best picture nominees and that might have made the difference. But it was arguably the most ambitious, rousing and lip-smackingly satisfying too.